(Hey, a guy's gotta make a buck somehow.)

Friday, November 20, 2009

Press Release: Haunted Goes to Print

As I take my hiatus for the holiday season, looking over the webcomics-related emails in my inbox, I begin to realize: receiving a press release is like receiving a blogpost already halfway written for you.

Here is a press release concerning Joshua Smeaton's comic Haunted.

Haunted, the Xeric-winning web comic by Joshua Smeaton, makes its graphic novel debut. It is currently available for preorder from Orion Books.

What did you do for Halloween when you were 12? Trick-or-treat, bob for apples or run from a psychotic ghost bent on ripping out your soul?

It was supposed to be a night of carefree fun for a group of junior-high friends. All they had wanted was to sneak into the high school Halloween party thrown at an abandoned mansion. Unfortunately they aren’t the only uninvited guests.

Haunted is an adventure story about a group of kids that get trapped in a mansion with a murderous ghost. The story is a fantastical thrill ride with moments of calm made all the more enjoyable with its colorful vibrant art.

Haunted is a 104-page full color graphic novel priced at 12.95, ISBN 978-0-615-31563-8. Scheduled to be released January 2010. It is available in the November Previews catalog. Order Code: NOV090896. www.hauntedcomic.com


I took a look at Haunted for myself, and if it sounds like something you've seen before, that's because it is. The familiar teens-in-a-haunted-house trope is played entirely straight, with no major twists or turns on the basic concept. That said, it takes a done-to-death idea and does it reasonably well: the art is good, the dialogue is authentic, and the characters are an interesting, individuated bunch of quasi-delinquent teens. For all the familiarity of its premise, it doesn't really do anything wrong.

Might not be worth a buy for you, but it might well be worth a look. Ladies and gents, judge for yourselves.

Thursday, November 12, 2009

We Interrupt Your Regularly-Scheduled Hiatus to Bring You a Publishing Studio

So, the blog may be on hiatus. But the other day I got an email with some webcomic news worth mentioning, so I figured it was worth taking fifteen minutes and compromising my principles to bring you this newspost.



Tom Dell’Aringa (Marooned) and Steve Ogden (Moon Town) have launched their own indie comic publishing group: Wishtales Publishing Studio.

Tom's the one who emailed me. I took a look at the new project, and from the site and the info in Tom's email, I gotta say I like the ethos of this thing. The About page gives an explanation: these guys are willing to take some chances on unusual projects in an industry driven by doing more and more and more of the same. Their first book will be Marooned - Out of Orbit, which begins preorder next week. A book for Moon Town is also on their agenda, at some point in the future.

In short, Wishtales looks like it's worth your attention. I know Steve Ogden produces some jaw-droppingly good art (just check out the sample above), and Tom Dell’Aringa is a good cartoonist in his own right. They both produce some really creative work that isn't afraid to take chances, and I expect that even more awesomeness will result from their joint venture into publishing.

Monday, November 9, 2009

Life, the Universe, and Webcomics

Hi, everyone. Today I've got a couple of reflections on comics to share, and an announcement to make. I was reading through Scott McCloud's Understanding Comics the other day, the section where he talks about the universal relatability of a simplified human face rather than a detailed one. And I've been thinking a bit about relatability in comics in general.

Why do we like comics in the first place? I think it's because on some level, they reflect the realities of our own lives. Yes, they often contain robots and wizards and other unreal things too, but I don't think any of us would read about the adventures of Spider-Man or Dr. McNinja if we couldn't relate to how they deal with highly stressful situations through wit and humor. Nevermind that their stressful situations involve bizarre mutated supervillains and conflicts resulting in massive property damage! The humor-as-a-coping-mechanism schtick is something we can grab onto, and we do: because on some level, that's us.

Comics are about life. In comics, no matter the medium, you will find people working hard to make ends meet, people who hate their jobs, people who love their jobs, people messing up their interpersonal relationships, good friends, loves lost and won, conflict, challenges, and hope for the future. In comics, there are characters doing the exact same things you are doing--just doing them in space, or in a sparsely-populated void of absurdity, or with the disembodied heads of historical figures, or maybe just failing at doing them with hilarious results. Comics take real life and look at it through a funhouse mirror--but in doing so, they affirm the value of real life.

Comics have to be about something, you know? Something besides just comics. And on some level, comics are about you and me.

And recently, I've been reminded--in some ways through comics!--that I need to pay less attention to comics, and pay more attention to just living my life.

The holiday season is coming up. I'm gonna be visiting relatives, doing Christmas shopping, and getting a lot of things together. Also, I'll be pretty busy at my job--the business of liftgate and snowplow parts is highly seasonal, and things pick up this time of year. And then there's the webcomics stuff I'm already doing: I've been chosen as a judge for The Webcomic List's TWCL Awards 2009, and there's the work I do at the Multiplex Store. Couple that with the racquetball, running, and role-playing stuff that constitutes me having a life, and yeah, there's a lot going on.

So, TWIW is going on holiday hiatus until the new year. Of course, I'll still be reading comics and talking about comics, and I may even drop a post or two here--because, as you all know, I can't shut up about comics. But this holiday season, I want to pay attention to my whole life, not just the "comics" part.

I'll get back to posting regularly in this blog after New Years--sometime between the 1st of January and the 8th. As I said before, I may even drop a couple of posts between now and then too. If you want to stay up to speed on TWIW, there are a number of ways to keep yourself informed: via Twitter or TWIW's RSS feed. If you want, you can even shoot an email to DeathbyChiasmus -at- gmail -dot- com requesting a notification, and when I make the first post of the new year, I'll email you right back.

Today is my brother's birthday. Today he turns 25. I'm not sure what we're doing to celebrate, but I know it'll be fun.

I'll see you back here in 2010. Keep on reading good comics, and don't forget to live your life.

Monday, November 2, 2009

11/2: Week in Review

Welcome back, everyone. I hope you had a good weekend, and now it's time to start your week with webcomics. In the tradition of This Week in Webcomics tradition, let's look over the past week and see what's been good.

In Monday's Real Life strip, what starts as an exchange between nerd couple Greg and Liz turns into an exploration of the different forms of geekery. It goes on to expose the face of a prejudice deeper than racial and economic biases: that of nerdism.

Nobody Scores dished out several quality comics this past week, but this update casts Jane Doe's life as a movie, and her circle of friends and acquaintances as the supporting cast. The image of Sara frowning in the playplace ball pen is fantastic, and the riffing on movie trailers is pretty humorous overall. It takes an abrupt and hilarious twist for the postscript, so check it out.

Also, this week I found out via press release that the webcomic SMASH has finished its 12th episode, with almost 140 pages of comic content under its belt. In the Episode 12 finale, ten-year-old superhero Smash faces off against his arch-enemy, an insane mastermind known as the Magus. I haven't had time to check it out fully, but I can tell from a brief read that the creative team of Chris and Kyle Bolton are putting out a quality comic here. The art looks like one part Calvin and Hobbes to one part Marvel Comics, and it's dynamic and well-detailed. You can read the season finale, or start reading from the very beginning of season one. If you like reading offline, you can even download season one in a PDF.

It's been a busy weekend, but when I have the time, I'm definitely going to have to come back to this comic.

A few other comics from this week that I thought were good:

I was going to do a whole rundown of Halloween comics, but instead, let's get a little reader interaction going on. Did you come across a memorable Halloween-themed strip this past week? Drop a link in the comments and share some Halloween webcomic funtimes with us all.

Monday, October 26, 2009

Product Review: Theater Hopper, Books 1 and 2

About a month ago, Tom Brazelton's movie-themed webcomic Theater Hopper had a fire sale to raise funds for producing its third book. I decided to take advantage of the sale and purchase myself the first two print collections, Theater Hopper: Year One and Year Two.

For those unfamiliar with it, Theater Hopper is Tom Brazelton's movie-themed webcomic starring exaggerated versions of himself, his wife Cami, and his friend Jared. It updates with three full-color strips a week (MWF) and has been running since 2002, making it the internet's longest-running movie comic. Together with movie-themed webcartoonists Gordon "Multiplex" McAlpin and Joe "Loves Crappy Movies" Dunn, Tom talks movies on the "Triple Feature" podcast every Monday evening.

Now, it's one thing to check out a new webcomic; the only investment it requires is time, and if at any point you decide the comic is not worth your time, you just cut your losses and close your browser. But merch is a different ballgame entirely. Before you lay down the cash equivalent of two and a half hours at your day job, you want to know you'll get your money's worth. How can you tell you'll get a quality product? It's not like a trip to Barnes and Noble or Old Navy, where you can see the goods for yourself and actually pick them up. There's a good chance the cartoonist has a photo or two of the goods in his online store, but the difficulty remains: you don't want to get a bum deal.

On that note, let's start talking about these books by showing you what you get:





Book One includes Tom Brazelton's introduction to Theater Hopper, the first 155 TH strips with creator commentary, 11 guest strips by other cartoonists, and a crossover storyline with Carrington Vanston's concluded webcomic "Movie Punks." Book Two contains a foreword by Tom's wife Cami, 153 more TH strips with further commentary from Tom, several pages of bonus sketches, an index of movies referenced, 7 guest strips (including strips by Joe Dunn, and Scott and Kent from White Ninja.

The first thing that struck me when I received the two books in the mail was the presentation. The cover art looks great, ludicrously referencing classic movies 2001 and Ghostbusters II with the TH cast. It's not stellar, but it's solid, and it's clear the creator went the extra mile on the covers. Inside each, you'll find 200+ slick full-color pages of comics, commentary, and additional content. Brazelton openly admits in Book 1's disclaimer that he did not create early strips with print in mind, and while he has tried to restore the artwork as best he can, some strips suffer from fuzzy colors or jpeg artifacts. Still, it's clear he's made an effort to improve the presentation for print, and by Book Two the artwork is largely sharp and snappy.

So it looks pretty good--but how's it taste?

Overall, it tastes pretty good too. I have to say, though, that Year One suffers in quality, as it would with any comic, simply for being Year One. Theater Hopper's humor style is less of the well-polished comic strip gag, the "craft of the joke," and more of the banter you throw around with your friends. Rather than building up to the punchline with immaculate timing, a TH strip will likely have a handful of funny moments--at least in theory. In early year one, Brazelton is still finding his voice, and some punchlines lack the punch even to carry the strip. The art has similar difficulties, and it cribs a bit from the Penny Arcade stylesheet. It takes several strips before it starts to resemble present-day Theater Hopper in quality.

To its credit, though, Brazelton's self-deprecating commentary on each strip in Year One goes a long way. He's utterly transparent about the first year's shortcomings, and the commentary's conversational tone makes the print edition a more personal experience than browsing online. Additionally, the collection contains a collaborative storyline with cartoonist Carrington Vanston that pits TH's Jared and Tom against the protagonists of the comic Movie Punks. The back-and-forth strips in the storyline are some of the book's strongest material and do a lot to add to its value.

Plus, the first book contains this strip. I laughed out loud right in the airport lobby at that one.

By Year Two, Brazelton is really getting a feel for his comic. The humor's more solid, the art is more solid. There are a number of inspired sight gags on par with the "small cola" comic referenced above, plus an increased predilection for
off-the-wall storylines that develop several jokes on a theme, such as the introduction of "Goth Jared" (whom Comic Tom has apparently encountered before). TH story arcs (at least in these two books) often begin in the middle, unexpectedly, with no explanation and perhaps even the suggestion of some backstory that is never explained. I like it, and I think it works. But I digress.

It's also worth noting that I didn't find the humor to be at all dated. With a movie-commentary comic, it's always a danger that comedy value will decrease as the humor ceases to be topical, but not so here. Theater Hopper doesn't stray too far from the mainstream movies and actors that we all know and love to make fun of, so you'll have no problem recalling relevant films from 2002 to 2004 as you're reading. There were a few isolated cases where the commentary had to explain the joke, which of course kills the joke, but these are the exception.

So, what's the final verdict? Was it worth my ten-bucks-per-book?

Overall, I think so. I found the books to be entertaining, and I got a different experience than the kind the TH site offers for free. A 200-page book with extensive full-color artwork is the kind of thing you'd usually pay upwards of $20 to $30 for, and I got two of them for this price. Compared to Year Two, Year One is rather lacking, and perhaps a better purchase for TH fans than for newcomers to the comic--TH: Year Two makes the better introduction.

Even though I'm not a huge movie enthusiast, I enjoyed both books. With the holidays coming up, TH: Year Two could be a good purchase for any friend or relative who's way too into movies. If you're thinking of getting either book for yourself, you can always sample Tom Brazelton's humor for free at TheaterHopper.com to figure out if it's your style of comedy. Apparently, the two books are still selling at the fire-sale price of $9.99 each. It's also worth noting that the third book is available for pre-order, and from the preview provided, it appears to raise the bar even higher for quality.

Theater Hopper Volumes 1 and 2 are available for purchase in the Theater Hopper store.

Friday, October 23, 2009

10/23: Week in Review

It's been awhile since I did a bona fide week-in-review Friday post, but this week I ran into some cool webcomic strips I wanted to share, and evidently I've managed to balance writing this post with all the other things I'm up to in my life. I'm sure you're all thrilled out of your minds.

Duck and cover, y'all, 'cause it's time for

  • The Fancy Adventures of Jack Cannon
    Here's your new discovery of the week: I saw this comic advertising here on my blog, I clicked through, and it hooked me. The Fancy Adventures of Jack Cannon reminds me of The Wotch, only actually pretty good instead of pretty bad. The art is a step up; even though it'd benefit from more unified color schemes, the artist has a better grasp of composition, basic anatomy and stylization. The storyline doesn't drag, the main character is much less of a Mary Sue, and there's no fetishy pandering to make you feel icky for reading.
    So what the heck is it about? Titular character Jack Cannon is the new guy at high school, and he instantly runs afoul of a gang of hackers. When it turns out that the hackers can hack reality, ridiculous action sequences ensue. From there, it only gets crazier.
    Just for example, there is a character named Max Facepuncher. "Max" is short for "Maximum."

  • Max Facepuncher in "So Now I Hate the Moon"
    The creator of Jack Cannon also created a 24-hour comic starring Max Facepuncher, in which Max is hired by a government agency to punch out the moon. Like Jack Cannon, it's totally madcap and thoroughly entertaining.

  • PVP
    On a similar note, PVP this week brings us a parody of the original Superman movie, featuring internet-meme superhero the LOLBAT. It's some seriously great stuff. For those who play City of Heroes, there's even more LOLBAT to be had, as Scott Kurtz recently collaborated with developer NC Soft to create a LOLBAT-based City of Heroes mission.

  • Blank It
    If you aren't following Blank It yet, you should be. Between its ridiculous absurdity and its treatment of existential themes, it has the best mix of smart and dumb humor I've seen yet in a webcomic. This week's strips, following an action-packed escape from the City of Cookie People, have got some truly inspired writing. I actually laughed out loud twice while reading Monday's strip.
    Yo, Aric and Lemmo. When are you guys going to go to three updates a week? C'mon, I crave the goods!

  • Fanboy Radio: interview about Kickstarter
    Kickstarter--as Multiplex readers already know--allows independent artists of all stripes to fund their projects through support from their fan communities. This past Sunday, Fanboy Radio interviewed Multiplex creator Gordon McAlpin, as well as Kickstarter co-founder Yancy Strickler and kickstarting cartoonist Jamie Tanner. If you're interested in the self-supporting and business side of webcomics, definitely check it out, but even if you're just looking for something fun to listen to at work today, it's an entertaining and engaging interview. Behold: the link.


And that's a wrap! Tune in Monday for your regularly-scheduled post. I, in the meantime, am off to work, and then off to the weekend.