All I Want for Christmas is Webcomics, 3: I Got All Types of Crazy Crap

Okay, so it's December 22nd. Holiday shipping deadlines are passing left and right. Topatoco can't even guarantee delivery by December 25th if you shell out the hundred bucks for next-day air! It's too late to order any of the sweet comic anthologies or tongue-in-cheek t-shirts that your favorite webcomics blogger recommended, and that little turd still hasn't written his promised third installment of his Webcomics Gift-Giving Guide! What are you to do?

Well, have no fear. There is hope for you yet.

I have said before that MS Paint Adventures has the best soundtrack of any webcomic out there, and the cool thing is that you can purchase much of that soundtrack on the nine albums available at homestuck.bandcamp.com. Tracks range from electronica to ambient experimental electronica to instrumental/orchestral with a dose of electronica, but in my opinion the standout album is Midnight Crew: Drawing Dead.

Drawing Dead is a concept album inspired by MSPA's gang of playing-card-suit-inspired mobsters the Midnight Crew--and ostensibly performed by them too. It features contemporary noir jazz that evokes both early-90s adventure games and 1940s detective flicks, and it will make you feel like a gangsta. (We're talking pinstripe-suit gangsta, of course. Not the other kind.)

The jams are slick, compositions are tight, and at its best it'll remind you of a Dave Brubeck tune. Best of all, you get 18 tracks for $5.25, and you can sample the full album before you buy. Give it a spin, buy it and burn it for your white elephant gift at your office Christmas party, or buy a couple different Homestuck albums for the MSPA fan on your Christmas list. Bam! And you're ready for the holidays.

I also wanted to mention one of the most creative webcomic products that I've seen all year: Dr. McNinja Battle Magnets. These feature the heroes and villains of Dr. McNinja in various action poses, ready to square off against each other on any metal surface. They look great and are every bit as crazy as the comic, and if you were to get me a set I would not object in the slightest.

If war is an art, these are the combat equivalent of magnetic poetry for your 'fridge. Get one of the two sets (seven magnets each) for $12, or buy both sets for $22 and get a secret bonus character too.

And that concludes your 2010 Webcomics Gift-Giving Holiday Guide Thing. I'm Jackson Ferrell, shameless webcomics promoter, wishing you a merry Christmas and happy holidays. Stay cool, and I'll see you in the new year.

The Ultimate Crossover

'nuff said.

C2E2: Part 2 of X, where X = (However Many of These I End Up Doing)

Meeting Chris Hallbeck of The Book of Biff for the first time

Our conversation more or less went like this.

When you are a cartoonist, you talk to people by putting together words and pictures. Most of our talking happens with noises we make from our mouths, so cartooning is kind of an unusual way to talk. Some cartoonists are equally at home talking with noises or with silly pictures, cartoonists like Tom Brazelton or Kris Straub, cool guys who generally seem at ease chatting with anyone, even perfect strangers who visit their booths at conventions or dudes they know wholly through the internet.

But some cartoonists are most comfortable talking through cartoons. Nothing's stopping these cartoonists from coming to conventions, and if you go up to their booth, it's not like awkward silence is a given or anything. But your conversation will probably be weird, and if they do feel completely comfortable talking, it's probably because they're talking with you about what you'd like them to sketch for you. At comic conventions, you can meet cartoonists from all across the social spectrum.

I met a lot of cartoonists at C2E2.

It was undeniably cool to meet Chris Hastings of Dr. McNinja fame. I got to watch him draw awesomeness onto a fan's interactive poster, we talked some about creating the kind of comics you want to read and finding something marketable inside your heart, and we had not one but two deliberately awkward silences. I talked with Evan Dahm, who has plans to develop his fictional world of Overside even beyond Rice Boy and Order of Tales. I talked to people whose work I'm familiar with, and I met some new faces too.

Ed Conley creates the comic Ed Contradictory, a bizarre foray into self-aware cartooning, in which the characters berate the cartoonist, search for new characters for the comic, and travel back in time to keep themselves from time-traveling. The central cast includes a cute-mascot panda bear, a gentleman scientist and the fellow gentleman scientist whose brain he placed inside a robot, a mercenary, and the Magical Booze Fish. It's utterly nuts and unabashedly anti-fourth-wall, and Ed Conley was wearing a necktie when I met him. That's pretty cool.

I also got to meet Dawn Griffin, creator of Zorphbert and Fred. Her comic is about two aliens who don dog disguises in order to observe and study humans, but I'm largely aware of her work because her two lead characters have been sharing their webcomics Picks of the Day via their Twitter accounts. Dawn and I talked about a whole crazy spectrum of things, from balancing your day job and your comic, to her illustration work for the Abby's Adventures children's books, to self-criticism and self-confidence and how it's a good idea to get up and actually do athletic things once in awhile. Dawn is a pretty cool person with a pretty cool comic.

Do I have more things to say about C2E2? Certainly. Can I find time to say them? We shall see.

Don't forget I got a new "I am a Purchasing Rockstar" strip going up at Borderline Boy tomorrow.

Why Web?

As you may have noticed from my Twitter feed or from the current review request poll, I recently bought copies of Deadpool Classic #1 and #2. Also, I've been picking up graphic novels from the library, such as Marjane Satrapi's Persepolis and K. Thor Jensen's Red Eye Black Eye.

I've had print comics on the brain recently, and I've gotten to thinking: creating a print comic is an involved process, from the creation to the printing to the distribution and promotion. It costs to create a physical, tangible comic--an investment of both time and effort. Creators and publishers alike want to ensure a good return on their investment; they make an effort to avoid bad ideas and to develop good ideas through the editorial process. My Deadpool comics credit a massive creative team in each issue, from directors to writers to letterers to inkers and colorists. Each person brings his own unique talents to the project, along with a silly nickname. But the silly nickname is beside the point.

Webcomics, on the other hand, don't have such an entry bar. (Again, I'm talking about quality, not the silly nicknames.) The low cost of online distribution allows anyone to publish his comics to a site or blog with very little effort. Further, strips can exist on the web that would never get past the editorial process--crude and sketchy trainwrecks drawn in MS Paint, or story-based comics with shoddy characterization and no attention to plot. The upshot of all this is that any comic committed to print will possess a bare minimum of quality that the average webcomic has no compulsion to match, which leads us to the question:

If print comics tend to be better--then why web?

Why--despite my dabbling in Deadpool and "autobiographic novels"--do I predominantly turn to the internet for my comic fix? The simple answer is that I'm a cheapskate. The guy who writes this blog is addicted to clipping restaurant coupons and buys his fish sticks in bulk. But there's a deeper reason beyond mere "economy of reading."

The 'net may have no minimum quality bar, but 'net innovates. There are comics that work on the web that you simply can't find elsewhere. A static-art comic in which dinosaurs discuss philosophical and social issues while a T-Rex is locked in a perpetual cycle of stomping a log cabin? Good luck selling that one to the syndicates! Penny Arcade's MA-rated violence and obscenity would bar them from all but the most lenient publications (even gaming magazines), but their caustic satire and intolerance for crap games brings much-needed accountability to the gaming industry, along with the inspired weirdness of Twisp and Catsby and The Song of the Sorcelator. Similarly, Nobody Scores' R-rated hijinks would be impossibly-pressed to find a home in print, and even if they did, their cynical and anarchic energy could not be adequately contained in anything but infinite canvas. And where else could you find an affectionate parody of superhero comics whose titular character is both a licensed medical practitioner and a ninja?

And the technical proficiency of Dr. McNinja's creative team illustrate the principle: while there is no minimum quality requirement for online publication, neither is there a maximum. There's nothing keeping a talented and hardworking cartoonist from producing comics just as good as those of his print brethren.

I read webcomics because I'm a cheapskate, certainly. But I also read them because I like good comics--and you can't find this level of innovation anywhere else.

6/12: Week in Review

Delivering the news rapid-fire, Jackson Ferrell brings you

(formerly known as Update Boxers and News Briefs, but no one wants to see me in my boxers)

• Dinosaur Comics ran a guest week this week, featuring the various comic talents of Carly Monardo, Ben Driscoll, Zach Weiner, Michael Firman, and Andrew Hussie. Guest cartoonists' approaches range from innovating within the DC format to saying "Screw you, format!" entirely, with hilarious results. The guest week starts here.


• Dr. McNinja really knows how to begin a new storyline. Seriously, what is that dude even doing there?


• Blank It recently introduced the first female character to inhabit its increasingly-populated world. This week, it introduces an airplane. The airplane runs over the girl. I'm not kidding.


• Penny Arcade wants to know what you want. The PA creative duo has the beginnings of three different story concepts, in the form of sample comics, that they began to unveil this week. Reader response will determine which concept they pursue.
  
  • Wednesday's entry, "Lookouts," a sort of life-or-death Boy Scouts organization that explores and patrols the deadly Eyrewood,
  • Today brings us "Automata," nineteen-twenties crime fiction with quasi-illegal robots, and
  • Next Monday will be something to do with Jim Darkmagic.
  If you haven't read Penny Arcade in awhile, swing by the site and check out these projects. They all look intriguing so far, and whatever gets chosen, I know we readers are in for a treat.

And that's a wrap for this week. Tune in next week for more crap about webcomics!

4/17: Week in Review

Seems this has been a good week for storylines. It may just be the particular spectrum of comics I read regularly, but while comics like The Book of Biff and Sheldon are good for a daily smile, following the serial stuff has been a real kick this week.

Shortpacked has been crazy this week even by Shortpacked standards. Last week, with Galasso locked up and Ethan...also locked up, Robin proposed that the new manager be selected by fight-probably-to-the-death, while Ultra Car searches for a way to throw pies at Galasso without letting him out of his cage. This week, everything explodes and Galasso is released in the chaos. His first act as a free manager is to fire everyone. Good luck getting a job in this economy, guys, but at least you can go out with a bang. To the shins. Firing the main characters from the strip's titular toy store is a strange move, but we'll see where things go from here.

Moe continues its storyline from last week, in which Moe attends an anti-evolution protest rally at the museum to impress a girl he met. With no particular allegiance to the cause, however, he is easily swayed when the other side has a cuter girl on it. It's a ridiculous parody of the debates of our day, in a world where everyone is dumb, especially Moe. Read the week's comics beginning with Monday's.

This week, Gill initiates a new storyline: with Gill's birthday coming up, he has his heart set on a birthday party at Cheesy Chester's Pizza, but his mother insists on having the party at home. The week ends on a horrifying cliffhanger in Gill's darkest nightmares--what will become of Gill and his desire for a Cheesy Chester's party? Start with Monday's comic and start following the story arc.

Over at Starslip, the crew of the Fuseli Paradigm has encountered the Quel--the highly-advanced hive-minded inhabitants of a planet within an uncharted nebula. This week, Vanderbeam endeavors to facilitate cultural exchange and share the fruits of his own advanced civilization, but the Quel aren't biting. However, when an unnaturally grave surge of bug-predators attacks the Quel, the crew prepares to step in and violate the crap out of the Prime Directive. We'll see soon enough whether their actions are justified, but in the meantime, the week for Starslip starts here.

Penny and Aggie draws its present storyline to a close today. Picking up where Part 10 of the Popsicle War left off, Duane finds a common interest of literature and a new friend in Christian fanatic Charlotte--but also finds that Charlotte is far more interested in him than he's comfortable with. Find out whether he can defuse this relational bomb without turning his overzealous new friend into an enemy: read the ten-page storyline from the beginning.

Finally, Dr. McNinja continues his descent into the Ancient Mayan Tennis Temple, defusing traps, navigating architectural hazards, and dealing with unforeseen complications. The whole thing is light on plot, but heavy on parody: it's a relentless spoof of video-gamey Indiana-Jones-style adventures in which the whole point of the architecture is to kill you. Why not enjoy the whole spectrum of spoof, right from the point that Dr. McNinja enters the temple?

And that's a wrap for this week--though I'm sure with so many storylines going on, I'll have plenty to talk about come next Friday. I may have a review or suchlike ready next week, but one thing's for sure: you can always count on the Friday rundown. And, as always, feel free to drop a comment with anything you've enjoyed this week. Have a good weekend, and adios for now!

4/3: Week in Review

Webcomic geeks are rarely just webcomic geeks; find a webcomic enthusiast, and chances are he's also a video gamer, an anime nerd, or a tabletop RPG geek. Hence, from time to time you get comics like Penny Arcade's Fallout Puppet Comics, or the following news item which I received via press release...

The comic Geeks Next Door is teaming up with Dungeon Mastering to deliver an exclusive comic storyline starring the GND characters. Veteran gamers Matt, Jessi, and Barry will be introducing Jessi's closet-geek sister Maggie to the ins and outs of D&D, with Matt in the role of dungeon master. I've happened across Geeks Next Door a few times before, and it's a funny comic with colorful and upbeat artwork. The collaboration looks like a cool project, too, so if you're a tabletop roleplayer, be sure to tune in. The series starts tomorrow, 4/4, and will update every two weeks at DungeonMastering.com, with a new comic and commentary from Matthew, Jessi, and Maggie.

And Geeks Next Door isn't the only comic teaming up. Least I Could Do, in its most recent storyline, is teaming up with every webcomic in existence for the LICD Ultimate Final Civil War Invasion Crisis Thing. It's a comic event so big, it prompted the creator of Goblins to pull an April Fool's joke in which he threatened to sue Ryan Sohmer for unlicensed use of his characters. More about April Fool's Day later, but you can start reading LICD's Ultimate Crisis Thing right here with the intro spread.

After a long absence from the online cartooning world, You'll Have That creator Wes Molebash returned this Monday with a new comic: "Myron and Charlie." I've been looking forward to the launch of his new project ever since Wes announced it late last year: Wes has a sharp black-and-white style, and to be entirely honest, I've missed his down-to-earth sense of humor and storytelling. Rather than the gag-a-day format of You'll Have That, this new strip has an ongoing storyline with a definite end to it. It's too early to tell exactly where it's going, but so far, we've been introduced to Myron, a boy with an artistic streak and a desire for a best friend. You can catch the updates every Monday, Wednesday and Friday over at the You'll Have That site.

Over at Real Life, Greg Dean has been running "open letter week," in which comic-character Greg reads open letters to a variety of individuals, including Family Guy producer Seth McFarlane, everyone on Greg's Facebook friends list, Neil Patrick Harris, and others. The open-letter action starts here, and wouldn't end right if it didn't end with a twist punchline. Bonus points if you saw the twist coming, but Greg's expression in the final panel really sells it.

And in what was possibly the most stunning update this week, this comic from Penny & Aggie dropped a bomb on me. Uptight religious fanatic Charlotte displays a surprisingly tender side, and what's more, the girl can write! Holy Sonnet, Batman! Comics are a visual medium, but this one showcases the power of good writing to flat-out knock you off your feet.

And, seeing as Wednesday was April Fool's Day, it's time to conclude this entry with the...

April Fools Watch:

• David Willis promises to end Shortpacked and deliver a Roomies reboot (complete with April Fool's site redesign)


• Chainsawsuit's make-your-own-Chainsawsuit goes horribly awry


• Dr. McNinja employs product placement for its own merchandise in this strip (see the April Fool's version)


• Hijinks Ensue adopts a new art style and a bold new storyline...all in the name of parody

And that's what's awesome this week. Have a good weekend, and, as usual, I'll see you next week with more awesome.

My Favorite Webcomics: Part 2 of Something

The First Part of the List
Share your own favorites with us!

Welcome back, friends. Where we left off, I was sharing with you the comics that I continue to read since trimming down my list of regulars. Let us continue the sharing.

Penny Arcade: Okay, that doesn't really count as sharing, because you read Penny Arcade already. There's a reason why Penny Arcade is the number one gaming comic anywhere: top-notch artwork, relentlessly honest commentary on the gaming industry, and hilariously inappropriate graphic violence.

Dr. McNinja: I like Dr. McNinja for basically two reasons. On the one hand, it's an ingenious extended parody of ludicrous comic book plots exposing the more ridiculous conventions of the superhero genre, illustrated with exceptional full-color artwork that complements the parody perfectly. On the other hand, a ninja doctor escapes Dracula's moon base by surfing back to earth on Drac's robotic duplicate.

Penny and Aggie: Intelligent teen drama that does a great job of capturing the vicious high-school clique atmosphere. Ostensibly, it's about the rivalry between the razor-sharp queen of the popular crowd and an ambitious counter-culture chick with a penchant for activism, but there's a wide supporting cast of fleshed-out characters. Quality full-page black-and-white artwork with a measure of manga influence. Funny, engaging drama that's well worth reading.

You'll Have That: I confess, I've got a thing for realistic comics. I'm not super-keen on the whole magical-time-traveling-with-robots thing. YHT is a down-to-earth humor strip about a semi-geeky guy named Andy and his practically-minded wife, Katie. The two of them deal together with life's ordinary difficulties: obnoxious co-workers, strained friendships, visiting in-laws for the holidays, and learning to forgive each other's shortcomings and quirks. At its heart, it's a funny strip about everyday love.
And sadly, it's ending on January 2nd. Still, cartoonist Wes Molebash has got a new project in the pipes, so I'm looking forward to what he's got in store.

Joe Loves Crappy Movies: Joe Dunn is a killer and funny cartoonist with an enthusiasm for movies. He's got a brash, colorful art style, and his friendly, easygoing personality comes through in his comics. He also likes to crack a nerd gag or sex joke from time to time. From time to time, I'll also check in on his other cartooning projects: the college-life strip Matriculated and his user-determined animal race adventure, Turtle vs. Bunny. Dude is a webcomic machine.

Multiplex: Joe likes to watch crappy movies, but what's it like on the other side of the ticket counter? Multiplex looks into the lives of theater employees--the workplace drama, the antics to alleviate the boredom, the movie-geekery, and everything else that comes with the red-vested uniform. It's very professional, very funny, and features one of the most engaging and varied casts of characters I've seen in a webcomic. Their interactions are really what make the comic for me. JASON AND BECKY WILL YOU GUYS PLEASE JUST GET TOGETHER ALREADY

Theater Hopper: I don't really check out Theater Hopper regularly, but if I'm gonna mention the other two of the Big Three movie webcomics...well, y'know. Theater Hopper is a good comic, and even though it's not on my list of regulars, it might just call for a spot on yours.

Nobody Scores: Brilliantly illustrated, utterly manic, and relentlessly cynical, Nobody Scores is the comic where everything that can go wrong, does. Its lovably-unlikeable cast of ruthless capitalist Sara, crazy alternative-girl Jane, untalented pretentious artist Beans, and alienated intellectual landlord Raoul endure inevitable disaster several times a week in Brandon Bolt's loooong-form ridiculous cartoonery. Sometimes you have more subdued catastrophe, say that of the daily morning routine. Other times, it's over-the-top cataclysm: time travel gone awry and matter-devouring nanorobots. And continuity is optional: plunge in anywhere and embrace the madness!

Further installments on Wednesday, and then a Very Special Christmas Message from TWIW on Christmas! In the meantime, share with us your favorites.

forgive me for not knowing how to do links on this blogthing

Hello, folkses! This is Alec, Jackson's friend, guest posting for this week's scheduled update of This Week in Webcomics. Now, Jackson and I do read a lot of the same comics, but I read a few others as well, so don't be surprised if some of the ones I'm going to be mentioning are familiar and some of them are not. So let's get on to the details then, shall we?

First off, a few comics you might want to take a look at: Nothing Better, by Tyler Page; and Goblins, by Tarol Hunt. These are both one-page-a-week comics, so they don't fit the TWIW paradigm exactly. A college comic, Nothing Better(1) tackles college life, and is currently wrapping up a nightmare sequence where an angry God confronts avowed Atheist Kat of the cast - and Goblins(2) has been in the throes of a confrontation between our heroes and an entire town of guardsmen and goblin killers for quite some time. Head to the main page of Nothing Better and hit the back button once to see all of the current issue up to this point all at once; for Goblins, I wouldn't start reading any earlier than the third book heading in the archives, or maybe even from the beginning :/

Several prominent webcomics have wrapped up some heavy stories this week: I am thinking of Sam and Fuzzy(3), Dr. McNinja(4) and Penny and Aggie(5), to be specific. Sam and Fuzzy just completed a storyline that was years of regular updates long, a feat rarely seen, and of course this means that new is the perfect time to catch up on this wonderful comic. Head to the Noosehead storyline and see for yourself how well all the pieces have been put together - http://www.samandfuzzy.com, people.

Dr. McNinja's plotline completed just today; the Doctor's final thoughts are available for perusal, and we, the readers, can puzzle for ourselves over what the future place of King Rad in the comic universe may end up being. I, for one, am hoping that there will be a bit more pseudo-medical expertise involved in his next caper - not that I'm complaining overly about the extreme antics of his ex-college buddy during the fight scenes in this chapter overmuch.

Penny and Aggie, an old time favorite of mine, is beginning to step into particularly difficult subject matter for me to grasp - girls being awful to girls, terrible cliques plotting school domination, and the like - but the emotional impact in the final pages of the story closing out this week was completely arresting. I won't say that it's undeniably entertaining or anything so ambitious, but I will say that for those of us who have been following the comic from the beginning and wondering what kind of a friend Penny is really, this was a real eye opener.

One more piece of comic recommendation for you folks: Princess Planet (6). I don't know if you'll all like it, but I do know if you read the most recent update and love it then you should start scouring the archives immediately.

(1) http://www.webcomicsnation.com/tylerpage/nb/series.php

(2) http://www.goblinscomic.com

(3) http://www.samandfuzzy.com

(4) http://www.drmcninja.com

(5) http://www.pennyandaggie.com

(6) http://www.transmission-x.com/_princess_planet/

The news this week is that Rice Boy was great.

That's actually not news, of course. Rice Boy has been finished for awhile now--like not just stopped or ended, but it actually reached the finale of its overarching narrative. A webcomic with a natural beginning, middle, and end, imagine that! A genuine story. And the "old news" that Rice Boy was great is not even new news to me--I finished reading it some three weeks ago. So why am I mentioning it? Because it was great and engaging and creative and I want to talk about it with you.

But that'll have to wait. For now, I've got a week-in-review writeup to write, and it's coming rather late in the day here. Thoughts on Rice Boy, maybe later next week. Right now, the writeup.

Let's start with today. Today's installment of Dr. McNinja simultaneously cracked me up and made me go "Wow," which it actually does fairly frequently. Honestly, it's been awhile since Dr. McNinja did that for me--it was starting to get all "Oh, the grocery chain owner with the big purple monster alternate form got stuck halfway into his transformation, and oh look, now his quadriplegic dad has turned into a giant purple monster that is still paralyzed, that's kind of unusual I guess." But today's comic ended with a total non-sequitur twist punchline that leaves you wondering, "How the crud did he know that?"

When you're piling on the weirdness, sometimes the best way to make things weirder is to throw in something comparatively normal. Go figure.

Next up, we've got Real Life continuing its storyline from last week with Alternate Tony and the plot hole. Tony's gunfight with his female counterpart gets interrupted for exposition in Tuesday's comic, and then in Wednesday's comic, Dave strolls in to deliver another interruption. Initially I was bummed--way to drag all the momentum out of your gunfight, Cartoonist Greg! But the gunfight didn't resume in Thursday's or today's strips, and instead we got another monkey wrench thrown into the equation. Female Tony ain't the only one out for blood, it seems. As it turns out, the whole storyline was well-paced, and my feeling on Wednesday just came from differing expectations.

Just goes to show, sometimes it pays to stick with a storyline and see it out to the end before passing judgment. Heck, that's half the reason I keep reading Sluggy Freelance! The other half is the puns.

Now, let's turn our attention to Starslip Crisis. In the most recent storyline, Vanderbeam has received his first exhibit job as curator aboard the Sai Kan: a collection of mask pieces. Interestingly, the artist himself has specified a detailed layout for the exhibit, ostensibly making Vanderbeam's job easier...but the artist has requested that the centerpiece of the exhibit be hung up across from the curator's bed. The centerpiece turns out to be a soul-harrowing monstrosity! And in Monday's strip, we witness Vanderbeam's first night sleeping across from the thing (I use the word "sleeping" loosely). Once again, a good storyline that gets better as you get into it. You can start reading it here.

And let's round things off with a clever setup and punchline from today's Dinosaur Comics. That's all I got, fellas. Tell me what you think of the storylines in Real Life and Starslip, or maybe drop me a comment and tell me what you enjoyed this week.

Me, I'm gonna go watch Iron Man on DVD with some friends now. Adios!

Welcome back for another week-in-review installment of TWIW.

This morning, as I got up and began making the webcomic-reading rounds, my visit to Sinfest was met with this ominous portent. Does this mean the end of Sinfest? I gotta say, I hope not. I suppose we'll all find out tomorrow, but in the meantime, if you've got any insights, please do share them. I'm perplexed here.

(UPDATE: It's Saturday now, and Sinfest continues as usual. I'm relieved, but I also feel kind of silly. Oh well.)

More big news: Dr. McNinja is now in...well, I won't give away the big surprise. Suffice it to say that the awesome adventures of the good doctor will henceforth be even more awesome. Just ask yourself what could possibly make the presentation of this comic even more awesome, and you may even guess what the big change is. Did I mention that it's awesome? It's awesome.

Also awesome is Penny Arcade's latest project. I greatly enjoyed the first two installments in the Fallout computer game series, a tactical RPG series taking place in a retro-styled post-apocalyptic future, so it's a nice treat when webcomics make reference to them. Obviously, then, I was delighted to learn that Penny Arcade is collaborating with Bethesda Software to bring us illustrated Fallout ridiculousness! They've taken the concept of Fallout's Vaults as sociological experiments, put a hilarious spin on it, and now they are delivering on their premise. In fact, they are delivering it every Wednesday. I can't believe I have to wait 'til Wednesday for the next one!

On a related note, Monday's Penny Arcade was one of the funniest I've read in a long time.

And as long as we're flashing back, this is not the most recent Rob and Elliot comic, but I found it exceptionally funny. It features a freshly-squeezed spin on the classic "be careful what you wish for, you just might get it" gag, plus a subtle and implied parody of the Kool-Aid Man. Furthermore, it includes an appearance by the second-funniest land mammal. No, it's not a bear! Bears are the third-funniest land mammal. Get with the program.

For our final exhibit, the most recent Joe Loves Crappy Movies strip demonstrates the power of economy of language in a comic strip. Brevity truly is the soul of wit! And on that note, it's time to cut this entry short.

I bid you adieu, dear readers. Until next week!

Here's the big news for this week: in addition to his current projects Starslip Crisis and Chainsawsuit, Kris Straub has launched a new strip, F Chords. That's three strips. Seriously, the dude is a cartooning juggernaut. F Chords is about Ash and Wade, two studio musicians who have traded in their dreams of rock-and-roll stardom for the more accessible aspiration of playing music for radio commercials. It updates on Tuesdays and Thursdays, and there are already a couple strips in the archives, so hop on over and check it out.

So while Straub is upping his cartooning output, R. Stevens of Diesel Sweeties is cutting back. He will no longer be running a print edition of Diesel Sweeties, focusing his attention on the main site instead. The last day of comics.com Sweeties will be this Sunday, August 10th. After that, I guess we will all have to get by on just one Diesel Sweeties comic each weekday.

Over at Dr. McNinja, Chris and Kent aren't doing any comics this week--but that doesn't mean that other people aren't! It's the second-ever Dr. McGueststravaganza! My spell-checker tells me that isn't a real word in like five different ways. But anyway, Dr. McNinja has had a bunch of guest comics going up all this week, by such illustrious cartoonists as Kate Beaton and the Nedroid guy. Pretty sweet stuff--and a new Dr. McNinja story begins on Monday. I'm pumped.

Here's some more news about comebacks: Nobody Scores! returns! After taking a month off to retool his comic and general become more embettered (which is like being embittered but for quality), Brandon Bolt brings us the first installment of an extended story about arch-capitalist Sara Peterson's latest purchase. In general, the new Nobody Scores! will have slightly longer "episodes" overall, delivered in installments of slightly shorter shorter individual comics. The details of the new presentation format can be found in this here newspost.

That's all the news about cartoonists this week. Now let's have a quick look at a couple of strips I liked.

Tuesday's Cat and Girl delived a "sites of historical and cultural interest" take on the classic Abbott and Costello "Who's on First" routine. I thought it was a clever little tribute.

Also, as Ebert and Roeper end their run as co-hosts of "At the Movies", Joe Dunn has got a new pair of critics lined up. Who are they? They are awesome.

And that's the news for this week! Tune in next week for your regularly-scheduled Friday webcomics lowdown, plus a special feature on small comics.

So, welcome to This Week in Webcomics, the blog where I tell you what was awesome in internet comics this past week because I love you. Wouldn't it be ironic if, as I told you what comics you should totally read, I were to mention spoilers for those same comics? So I will try not to do that. All the same, consider us to be under a Spoiler Watch. You know, like Tornado Watch vs. Tornado Warning.

I tuned in to Dr. McNinja on Monday morning and immediately knew that it was going to be a good week. As soon as I saw the last panel of Monday's comic, I was like, "Man, they just totally went there." Drawing a situation like that (notice how I am avoiding spoilers?) takes serious artistic chops, but it opens up some possibilities for sweet action that subsequent installments have totally delivered on. I look forward to seeing where this battle with Dracula on his Moon Base goes.

I'll confess, Penny Arcade has been hit-or-miss for me lately. I expect the work they've been doing on that crazy video game of theirs has something to do with it, but now that they've polished that off, I hope they'll be able to devote more creative energy to their comic-style humors. A noteworthy development: I never thought I'd see the Broodax again, figuring it for a one-off gag, but sure enough, here it is today. Broodax: the Twisp and Catsby of '08? Only time will tell.

Strips that feature children playing make-believe often idealize the experience. The vibe you get from them tends to be: "Oh, look at that, the children are playing pretend, how creative and adorable." (Family Circus, I'm looking at you.) However, Sheldon this week has been doing a strip series in which Sheldon and friends play Lord of the Rings, and Flaco and Arthur insist on making up back-stories and motivations for the villains they're playing. Strangely, it's Sheldon--the actual kid--who's making the observation that kids' games can get way too ridiculous sometimes. It also works as a subtle commentary on the tendency of webcomics to get incredibly stupid when they insist on injecting drama where it's really not necessary at all.

Speaking of kids, it's a rare occurrence that Cat and Girl acknowledges that Girl is an actual child. Seriously, with all her social commentary, it's easy to forget that she doesn't even technically have a degree yet.

Oh, yeah. And Tim Buckley's latest storyline over at CAD is a big tall glass of Cringe Juice. No, I'm not going to link to it. It's that bad.

Did I miss anything? Did anything else great or significant happen in the world of webcomics this week? Let me know if something slipped past my radar--that's why there is a comments feature.