Hi again. C2E2 was two weeks ago, but I still have things to say about it. It was such a dense weekend that I feel I would run out of time for saying before I ran out of things to say about it. If that makes any sense.
So, here it is, Saturday afternoon, and I wanted to post some more about my C2E2 experiences and the cartoonists I talked to.
Of course, even though I focused primarily on webcomics, there was a lot going on at C2E2 beyond the world of cartoonists for whom the internet is their cartooning backbone. The big superhero-comic publishers, Marvel and DC and Image, all had a notable presence, with Marvel heavily promoting the upcoming Iron Man 2 movie via comic and video-game tie-ins. (The video game looks awesome.) Local Chicago comic shops occupied a large swath of the floor, and I bought a copy of Scott Pilgrim from one of them in anticipation of (once again) the upcoming movie. On the stage out in the hall, the local folk-rock-about-superheroes band Wednesday Heroes played a set or two every day. There was more to see and do than one person could even conceive of doing.
So, I did what I could. I attended a couple of panels--including one on black comic creators and black superheroes--and I watched the Iron Artist competition on Saturday evening, for me the highlight of which was watching Gordon McAlpin and Tom Brazelton draw their own interpretations of the theme "Snake Pliskin in Escape from the Princess Bride." On Friday night, there was a Webcomics Town Hall, which probably merits its own entry. So I'll save that topic for another time.
Before I go fold my laundry, I'd like to tell you about two webcartoonists I met at the con and about their work. (Actually, I'll tell you about them after I fold my laundry. You probably won't be able to tell the difference.)
Chicago native Sean Archer creates the webcomic Milo the Cloud, about a light-hearted cloud and his eclectic peers (including an aichmophobic balloon and a bazooka-toting cardinal). What struck me about Sean's work is the creativity that he displayed in merchandising and promoting Milo the Cloud. He had Milo figurines for sale at his booth, and he told me about the process of creating and painting each of them by hand. Additionally, he had an a capella CD of unofficial theme music for Milo the Cloud, which he created and performed with some of his musical colleagues. Milo the Cloud is a humor-based strip with some continuity and an idiosyncratic. It struck me as similar to Ed Contradictory, which I mentioned in a previous C2E2 entry, so if you like one of these comics, you should probably check out the other too.
I also got to meet Alina Pete, the creator of Weregeek. Weregeek has nothing to do with Werewolves--at least not directly. Instead, it's about otherwise ordinary people who, when the moon is right and mysterious forces align, are transformed into wholly different beings for their tabletop RPG sessions. It's a tongue-in-cheek look at the role-playing hobby from the inside out, and it's a lot of fun.
It can be a challenge to actually depict the imagined in-game world of an RPG in a comic and still keep it engaging, but Weregeek naturally moves between its characters' everyday lives and jobs and their in-game adventures. Kudos to the creative staff for pulling off that tricky balancing act! I'll have to read some more of this comic when I have the time.
Another thing that I will have to do when I have the time is blog some more about C2E2.