How You Read Webcomics

I have a handful of comics that I read regularly; you may well have a good idea of which ones they are, given the frequency with which I mention them. Additionally, I enjoy discovering a new comic and rampaging through the archives, or researching an unfamiliar comic for a review. Sometimes I'll trawl through the archives of a comic I already read regularly, just because it's so much fun to revisit. My point is, there are a lot of different ways to read a comic.

Which brings us to our current poll, which you can vote in at the top of the page. There are a lot of different ways to read webcomics, and as always I'm interested in how you approach your favorites. The three options above may not cover how you most enjoy catching up with your comics of choice; if that's the case, drop a comment and get qualitative on me. I'm looking forward to hearing more about how you read.

Return to top & take the poll!

Superfogeys, Chapter 3

As I continue my chapter-by-chapter reviews, Brock Heasley's Superfogeys advances well ahead of me. Currently it's looking into the earliest exploits of its now-retired super-protagonists with "Superfogeys: Origins," and I'm still getting caught up on the present. Today we'll see what develops back at the rest home in Chapter 3: "The Techno Shuffle."

What Goes Down in Chapter 3

Chapter 3's plotline centers around a new face in Valhalla: Dictator Tot. Sentenced to community service at Valhalla, the child-prodigy supervillain must introduce the Fogeys to the world of internet technology, and by "introduce" I mean "drag kicking and screaming into." There is a brief, amusing sideplot in which Spy Gal comes on strong to the rest home's Director, and we are introduced to Captain Spectacular's senile ex-wife, Star Maiden. In the end, though, the major events of the chapter are shown to be the machinations of the shadowy and seldom-seen Third Man, as a plot against Captain Spectacular. The Third Man himself is not who he seems to be, and at the end of the chapter the Fogeys continue oblivious even to his existence.

Is It Good Today?

In my estimation, this is the funniest chapter so far. The old-vs.-new generational dichotomy, introduced with the healer in the previous chapter, is played to extremes with Dictator Tot. It's utterly humiliating for the elderly superheroes to take instructions from the most childish of children, to the point where Captain Spectacular refuses to even turn on his computer (until he is called upon to stop a Dr. Rocket's viral-networking world conquest plot through his Webspace page). Dictator Tot herself is absolute money: a bratty supergenius toddler, dressed in a fur-lined cape, tiara, and military commander's uniform, makes for a ridiculous visual image, and her lines are loaded with comic irony.

The humor here is all about contrasts. We have such preposterous, surreal moments as a fearsome megalomaniac supervillain snuggling with her big-person friend and a warden who still suffers from her psychological torture. One note: a few characters' Webspace pages play a role in the chapter's plotline, and at the end of the chapter, there are more Webspace pages for various super-figures. Some of them are laughworthy, notably those for Swifty and Jerry, but the gag gets drawn out well after its humor has been depleted. Fortunately, though, the pages come at the end of the chapter, so a reader who finds herself bored can skip ahead to the next chapter with no real loss.

Although it's largely plot-driven, the characterization becomes stronger in this chapter. In previous chapters, the Fogeys largely manifested their character by having different ways of being old. Captain Spectacular's memories and stories from his super-past are fitting for a retired hero, but this chapter further differentiates the cast in ways that transcend their age. You get the impression that Spy Gal has always been savvy and competent, and Jerry has always been overeager and a bit of a dork.

Conclusion

At this point, I'm looking forward to reading the next chapter of Superfogeys--to the point where part of me feels like reviewing it chapter-by-chapter is slowing me down. The bottom line is: if you're looking for a humorous twist on the superhero genre, or if you just like good character-driven humor in general, Superfogeys is well worth your time.

7/31: Bullet Points

Today's full-length post will go up later today. But until then: the news goes bang.

• Penny Arcade locks and loads for Automata. As of this writing, the comic image has not yet gone live, but it should be there by the end of the day.
• Cat and Girl: Echoing a sentiment from a previous comic, Grrl asks, "Do we need a college degree and a formal education for everything in life?" Cat, in turn, shares an unexpected revelation.
• The Book of Biff: Biff warms up to beat the carnival shysters at their own game.
• I first discovered Joe and Monkey while it was on hiatus--which was kind of disappointing for me, because from the archives it looked like a really entertaining comic. Good news, though: J&M recently sprung back into action and is going strong, with promotional pinups by a variety of comic artists and four comics already up in its new time-traveling storyline.

More words about webcomics later today. And as always, you can follow my Twitter for links to new TWIW posts, daily updates with the "webcomic Pick of the Day," and inane babbling about Disgaea 2 and sandwiches. I'll see you in the future!

7/24: Week-in-Review in Comic Form #3 (finally!)

Starslip: Monday, 7/20/09


Matriculated: Wednesday, 7/22/09





Creep House: Monday, 7/20/09


Cat and Girl: Tuesday, 7/21/09


Request Comics #85 (date unknown)

Request Comics #8
Ben Heaton's Tall Comics guest strip

Co-written by Jackson Ferrell and Eli Parker; illustrated by Jackson Ferrell
Unwinder appears courtesy of Unwinder's Tall Comics
Abe Lincoln appears courtesy of Thinkin' Lincoln, or maybe just history
(and frankly he'd probably make a more tolerable co-host, disembodied floating head or not)

Sidenote: a Little News about TWIW

As you can see from the results of the You-Choose-the-Reviews poll above, readers demand more Superfogeys and Marooned. To what extent this results from Brock Heasley and Tom Dell’Aringa hurling their fans at my site like so many Prinnies, I'm not sure, but their respective comics pulled into the lead early on before news even spread about the poll, so I'm pretty sure this reflects what the readers want. And who doesn't like more traffic?

But in all seriousness, thanks to all of you who voted or publicized the poll. I'll be reviewing Superfogeys #3 sometime in the next few weeks, and Marooned shortly after that.

In other news, I've had video games on the brain lately. Yesterday I posted a few reflections on Penny Arcade, which you may have seen already. And those of you who have been following my Twitter know I've been playing Disgaea 2. I beat it yesterday, and it is hands-down the most hilarious tactical RPG I have ever played, not that there are many hilarious tactical RPGs out there. Apparently there is a manga, which I am thinking of picking up to see if it is as hilarious as the game.

But I digress; you come here for the webcomics. In all likelihood, Friday's week-in-review post will go up late Friday evening, and long-time readers know what that means. I'll see you guys tomorrow, and until then, stay cool and read good comics.

Adventures of the Irrelevant Webcomic Critic: Penny Arcade

A little over a year ago, shortly before I began this blog, I made a post to my personal blog on the topic of Penny Arcade. The post, titled "The Adventures of the Irrelevant Webcomic Critic," was in a way a precursor to this blog--about that time, I was realizing that if I read so many webcomics, I might as well talk about them with the internet. Here's a slightly-edited excerpt from that post: edited because, well, I am a better writer now.

Lately, Penny Arcade has been falling flat for me. Some of the recent strips have been good--like the one about the crystallized demon blood in the guy's refrigerator--but a lot of them I have just not found funny. The other day I was asking myself why, because I really want to like PA, every time, if at all possible.

Some of Penny Arcade's funniest and most compelling work, I realized, revolves around the concept of shame, particularly characters' perceptions of merited and unmerited shame. Consider the following comic, in which Tycho is reluctant to share the content of the user-targeted in-game advertising he is seeing: even while laughing, the reader can almost feel his discomfort sympathetically. Here's another one, where Tycho has forgotten his embarrassment and gets far too enthusiastic about the erotic possibilities of science-fiction extraterrestrial encounters. Gabe often doesn't know when it's appropriate to feel or display shame: for example, here. Or here. He is far too open about his endeavors! And that's funny.

But within the past month or so, deep though it may be, that well of shame has scarcely been tapped. The last place we really saw situational humor of this sort, relying on characters' differing expectations of what should and should not be was this comic. Now, Penny Arcade has a rich and diverse past of jokes, and they need not rely on shame to create quality material. For example: they're typically excellent satirists. However, Samus kicking Pikachu in the face is simply less robust as a comedic concept than Gabe's obliviousness to his own social dysfunction.

Lately I've been thinking about Penny Arcade again, for a variety of reasons. I figured I'd dig out that old post because at the time, I thought the path to a better and funnier Penny Arcade was paved with further explorations of shame. But then they busted out of the slump with the whole Deep Crow thing, and while their current work isn't the best they've ever done, it's decidedly stronger than a year ago. And lately I've realized: Penny Arcade doesn't have to be funny all the time in order to be good.

Penny Arcade provides more than just humor. As I've mentioned before, their take-no-crap attitude brings much-needed accountability to the game industry, whether it's through satirical invectives or celebration of genuinely awesome games. They're not beholden to game companies, retailers, or advertisers. They're not even beholden to their readers, in the sense that Krahulik and Holkins are free to experiment with off-the-wall not-even-gaming-related things like Twisp and Catsby or the Cardboard Tube Samurai.

And I guess that's where they're taking things these days: somewhere new. Krahulik's art has been taking new directions, shedding a bit of its Stephen-Silver influence for a more painterly approach to coloring. Also, with concepts like Lookouts and Automata, and projects like the Penny Arcade Adventures computer games, the two are expanding beyond continuity-optional humor into original storytelling. And if nothing else, the sorts of stories they're telling are at least original.

In short, I'm not sure what the future holds for Penny Arcade, but they do seem to be making better comics as of late, and hopefully the trend will continue. Suffice it to say that while a year ago I was considering taking them off my list of regulars, I'm much more interested now in following what they're up to.

(This post has been brought to you by Google and The Penny Arcade Wiki)